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Caliente Contest
UA homecoming this weekend is
all about Wilbur the Wildcat - the
beloved and furry mascot turns
50 on Saturday.

The UA used real animals as
mascots off and on between the
early 1900s and the late 1950s
(with at least one tragic mishap),
until two UA students (Richard
Heller and John Paquette)
pitched the idea of using a
costume-wearing human.

Wilbur made his first appearance
at the UA vs. Texas Tech football
game on Nov. 7, 1959, and was
an immediate hit, according to a
UA Web site.

Wilbur's look has evolved over the
years. It was during one of those
costume makeovers that Wilma
the Wildcat was created.

She made her first public
appearance on March 1, 1986,
during a "blind date" with Wilbur.
The pair later "married" before an
Arizona-Arizona State football
game.

For a chance to win a a set of
three audio books, tell us the
date of their wedding.

Click here to submit your
answer.

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philmguy
Phil Villarreal has worked for the Daily Star since birth, but he's been the movie critic since February 2001. You could say he's a fan of the cinema. Each day he wakes up to a plate of steaming scrambled movies, which he washes down with a glass of movie juice, all while watching a movie. In his free time he plays video games and watches movies. Phil's new book, the humorous, money saving guide "Secrets of a Stingy Scoundrel" is due out Sept. 1 and available for preorder.

Review: Rambo

01/25/2008 12:39 PM
Phil Villarreal

If I had a penny for every screaming explosion in “Rambo,” I’d be dead.

This is a nasty, “Call of Duty 4” style shoot ‘em up that kicks down the door, rips out your throat and inserts a Claymore where your jugular used to be. Then it makes you swallow and do a little dance while it shoots at your feet, screaming “dance!”

It’s made the way hardcore action flicks were in the 1980s and early 90s – the era when even movies as innocent as “Back to the Future” would end with terrorist attacks just for the hell of it. Gore and carnage were the order of the day, and the only dialogue that mattered was the slow-motion “Nooooooooo” and “I’m getting to old for this s&*%.”

“Rambo” isn’t so much a throwback as it is a resurrection. There have been better action movies the past few years – “300” and, well, can’t think of any others, so nevermind – but none have made me feel like I was 8 years old again, sneaking a middle of the night peak at my dad’s VHS rental of a movie that was way too violent for me. This thing cuts to the core of what a movie in this genre should be, tossing aside meaningless nonsense such as backstory, character motivation and romance to get on with the important stuff. Here’s a look at the movie’s screenplay:

Rambo catches snakes.

Rambo caps hundreds of enemies and rescues twerpy missionaries in between reloading sessions.

The end.

Granted, there’s a little bit of dialogue interspersed in between, such as a snake going “Awww crap, what the hell?” in snake language, and a bad guy talking about raping and killing in badguyese. All the rest is tight-mouthed shooting gallery bliss. It’s Rambo and his gang of mercs against the genociding military of Burma.

Just how much of a badass is Rambo? When he played “Duck Hunt,” and he missed and the dog laughed at him, he decapitated the dog. He was on the screen for one second before I realized how shameful it is that we no longer have such awesome warrior personas making movies anymore. Daniel Craig’s Bond and Jason Bourne are what pass these days for action pimps. If Rambo approached Bourne and Bond in an alley, they’d fall to their knees and begin debating with one another which would wash Rambo’s car and which would handle his dry cleaning.

So anyway these bright-eyed missionaries visit Rambo in Thailand and beg him to take them to the worst place in the world, where they’ll pass out enough Bibles and band-aids to feel good about themselves when they’re back at home watching “Saved by the Bell” reruns. Rambo of course wants to go immediately. But he plays it off and pretends like he doesn’t until the hot chick comes to beg him. The girl has a doctor missionary boyfriend who gets on Rambo’s nerves, but Rambo doesn’t want to get back at him the simple way, by granting her the sexual fulfillment she so obviously longs for from Rambo. Nah, he does him one worse. He lets them go off on their own, get captured, then saves them both a million times, emasculating the guy in front of his woman while so thoroughly proving his superiority that for the rest of their lives together, she’ll see Rambo’s face whenever she closes her eyes.

Not that he needs it, but Rambo’s got some help in his quest to rescue in the form of a bunch of mercenaries paid for by the church to rescue their peeps. Judging from the looks of this ramshackle crew, the churchfolk would have done well to pass the collection plate a around a few more times. These guys are not only losers, but stereotypical, one-dimensional fools who make you hope Rambo “accidentally” turns his gun turret their way in the heat of battle.

The worst offender is this pompous, condescending British dude who goes along with Rambo and his crew. He’s always making snide remarks, talking smack about how slowly Rambo is driving the boat. He’s basically a version of Simon. Rambo just ignores his insults, refusing to dignify them with responses. He takes a quiet pleasure in letting him run his mouth, content that if he really felt like it, he’d toss the guy overboard and harpoon him.

So, a half star deduction for the inclusion of the mercs, which ends us up with 3.5 stars for this beautiful, brutal movie, which is just good enough to tide me over for “Rocky 7,” “Rambo 5” or, dare I dream, “Over the Top… And Back Again!”

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  1. the fact that ‘Meet The Spartans’ finished #1 at the box office this weekend is just cause for Stallone to put on his Rambo gear, hunt down the producers of ‘Spartans,’ and tie THEM to that giant WWII bomb.

    I caught ‘Untraceable’ last night. It’s funny, that whole “If you visit this site you are an accomplice to murder” motif should apply to ‘Spartans’... anybody that paid money to see that movie is personally responsible for the shitification of US cinema. Everyone who saw ‘Spartans’ should be given ‘The TV Set’ to watch as homework… but they probably wouldn’t get it.

    Rambo was killer. I hope to God, for Stallone’s sake, that they only did one take of that last shot.
    Phil(lip)    01/27/2008 12:23 PM    #
  2. this was the best movie to come out this year. i know the year just began. but if your someone that loves action, this is it right here. i loved it, and im going to see it again. the way the bad guys got killed was awesome, so realistic. tho, when Rambo took over the machine gun on the truck they should of played let the bodies hit the floor, that would of put the iceing on the cake. TWO THUMBS UP NO DOUBT.
    luis mendoza    01/27/2008 05:25 PM    #
  3. This is maybe the best thing you’ve ever written.

    Also, I have the novelization of “Over the Top”. That movie actually makes sense once you understand what’s happening. It’s still awesome/terrible, but you can at least follow what’s going on.
    micah    01/28/2008 02:59 PM    #
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