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Caliente

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Caliente Contest
Leonardo DiCaprio and Russell
Crowe star in "Body of Lies," an
espionage thriller directed by
Ridley Scott.

DiCaprio plays a CIA operative
who goes to Jordan to track
down a terrorist leader.

Crowe play his boss, a master
manipulator who may not be
trustworthy. The film is based on
the David Ignatius novel.

This movie is a possible Oscar
contender, and it's receiving
loads of pre-release attention for
its powerful pairing of leads.

But it's not the first time the duo
have worked together.

What other movie featured
DiCaprio and Crowe?

Click here to submit your
answer for a chance to win a T-shirt and glow sticks from the
movie "Quarantine."

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Caliente Cover
Click image below to download a PDF of this week's Caliente cover.

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philmguy
Phil Villarreal has worked for the Daily Star since birth, but he's been the movie critic since February 2001. You could say he's a fan of the cinema. Each day he wakes up to a plate of steaming scrambled movies, which he washes down with a glass of movie juice, all while watching a movie. In his free time he plays video games and watches movies. He has written a novel, "Stormin' Mormon."

Maxim's Pete Hammond is a tool

02/12/2007 11:40 AM
Phil Villarreal

Maxim’s Pete Hammond embarrassed himself and all other film critics by playing along with the Weinstein Company’s finagling over a TV commercial quote blurb. According to a story in the Daily Variety, the studio planned on using Hammond’s quote “the most terrifying thriller of the new year.”

This blurb is awful and quote-whorish to begin with – just how many terrifying thrillers can be released in the first five weeks of the year anyway? But what happened next is even worse. Big boss Harvey Weinstein made the admen change the commercial, which ran during the Super Bowl, excising the word “terrifying” because it might offend audiences. (Huh?) So the Weinstein Co. asked Hammond to change his quote to “the year’s most eletrifying thriller,” not only taking out the offending “terrifying” adjective but also “the new year” reference. So now Hammond is playing psychic and pre-judging “Hannibal Rising” as the most “electrifying” thriller of the entire year. What I wonder is why did he stop there? Why not proclaim the film is the “most fantabulously phenomenal fright-fest of this or any other millenium?” And why not let the publicists write your entire reviews for you, not just the little blurbs?

I see why Maxim sticks with Hammond. Splashing the magazine’s name along with his on national ads gives them some cheap advertising. But now readers know they can’t take one word the guy says seriously. He’s nothing more than a puppet.

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